
The Rock of New Orleans Becomes Rush Radio
April Fool's Day 2008
  WRNO radio first hit the airwaves on the air October 17, 1967.  Although its previous slogan was "We're
                           the Rock of New Orleans," the  station's call letters stand for "Westbank Radio New Orleans." The  station
                           operated a popular business selling rock t-shirts, records and  other music related items called the WRNO "Rock Shop"
                           on the ground  level of the studio. Since its inception in 1967, WRNO endured many  incarnations with different rock music
                           formats, finally adopting the  Classic rock format in 1997.  On the right is a 1974 print advertisement.
WRNO radio first hit the airwaves on the air October 17, 1967.  Although its previous slogan was "We're
                           the Rock of New Orleans," the  station's call letters stand for "Westbank Radio New Orleans." The  station
                           operated a popular business selling rock t-shirts, records and  other music related items called the WRNO "Rock Shop"
                           on the ground  level of the studio. Since its inception in 1967, WRNO endured many  incarnations with different rock music
                           formats, finally adopting the  Classic rock format in 1997.  On the right is a 1974 print advertisement. 
WRNO
                           was also home to a popular shortwave radio service in the 1980s and 1990s called WRNO Worldwide,
                           now owned by a Christian broadcaster. On November 13, 2006, at 4:00 AM, after signing off with The Doors'
                            "The End," WRNO flipped to an interactive Talk radio format as "The New  99.5FM.com." As explained in
                           the official mission statement posted at  its website, "The station is committed to providing listeners with  everything
                           they need to know on the radio at 99.5 FM and on demand at  thenew995fm.com." On the same day Sister station KHEV
                           would pick up "the Rock of New Orleans" slogan and use it as their new slogan for their flip from gospel to Active Rock.
On April 1, 2008, the station switched to "Rush
                           Radio," all day repeats of The Rush Limbaugh Show and a tape loop of Rush's theme song, the instrumental from
                           My City Was Gone by The Pretenders, during times when the show was not playing. The stunt was to celebrate the acquisition
                           of the show from longtime affiliate WWL. The station resumed its regular schedule on April 7. 
 The
                           Limbaugh program had previously aired on WRNO Worldwide, which  Limbaugh called "The EIB World Service" on the air
                           (in joking reference  to the BBC World Service). The stations are no longer co-owned.
  Notable programming includes Jim Bohannon's America in the Morning, Denny Schaffer on The Denny Schaffer Show,
                           Glenn Beck Program, The Rush Limbaugh Show, The Sean Hannity Show, John Osterlind, Mark Levin, and George Noory. Osterlind
                           was known as "Ozone" during stints at WAAF Worcester MA and WRKO Boston MA.
Notable programming includes Jim Bohannon's America in the Morning, Denny Schaffer on The Denny Schaffer Show,
                           Glenn Beck Program, The Rush Limbaugh Show, The Sean Hannity Show, John Osterlind, Mark Levin, and George Noory. Osterlind
                           was known as "Ozone" during stints at WAAF Worcester MA and WRKO Boston MA.
 Notable station
                           alumni include Bill Burkett, E.Alvin Davis, Joe  Clark, Bobby Reno (now on WTIX FM owned by Michael Costello, Joe's  brother),
                           Captain Humble, Doug Christian, and Russ Boney.
 WRNO alumni also include former PD Michael Costello
                           "Michael In The  Morning"/"M&M" (brother of late WRNO founder/owner Joseph Mark  Costello III); Jim
                           White; DJ-turned-actor John Larroquette ; Soxless  Scott Seagraves; Jeff "JD The DJ" Douglas, famous for his
                           "Rock 'n' Roll  Flight To Midnight"; Tom Owens; Jimbo Roberts :Johnny Tyler; "Weerd"  Wayne Watkins;
                           Mary London; Lyn Taylor (Now a Program Manager at CBS  Radio Detroit); and writer-producer Vance DeGeneres. (Douglas and Costello
                           are currently jocks at WTIX-FM,  which Costello is owner.) Steve Suter (Now on Magic 101.9) did the  Morning show with sidekick
                           Kevin Carlile. They became the "Morning  Dudes" are were hired away to Baton Rouge after 2 years.'  (From http://en.wikipedia.org/wiki/WRNO-FM)
 
                        
                           
                           
                           
                           
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                        Wayne Mack (May 22, 1924 – April 1, 1993) was host of 1960s WDSU-TV, Channel 6,
                           New Orleans, Louisiana children's show that showed the “Three Stooges” shorts. His on screen persona was the "Great
                           McNutt” and he dressed in movie director's garb, along with a large megaphone. His big line was “Lights, camera,
                           action, start the cotton pickin’ show!” just prior to the start of the short subject. In the Three Stooges movie
                           “The Outlaws is Coming” he played Jesse James. As in most early day television stations  he played several on
                           screen parts, including co host of the “Midday"  show, an electronic magazine program, as well as sportscasting
                           in the  local evening news. Mack also called radio play-by-play of the New Orleans Saints from 1975 to 1981. A flavor for
                           Mack's broadcast style is provided by WDSU-TV. Mack, together with fellow New Orleans sportscasters Hap Glaudi and Buddy Diliberto,
                           provided the New Orleans television market with a unique and distinctive repertoire of sports broadcasters. The three New
                           Orleans sportscasters were discussed together by New Orleans journalist Bill Baumgarner. (WIKI)
 
                        
                        On 
April 1, 1854, a memorable horse race was held at the famous Metairie Course. The
                           race, advertised as “The Great State Post Stakes,” became a state rivalry between Louisiana and Kentucky. 
                           Though there were four horses from four southern states, the Louisiana and Kentucky horses were on the lips and the tips of
                           the pens of writers throughout the U.S. The Louisiana-bred entry was Lecomte, from the stable of Thomas J. Wells, owner of
                           a plantation near Alexandria. Representing Kentucky was a horse name Lexington.  Everyone who was anyone was on hand
                           for this great event – governors, mayors and congressmen from numerous states, business and professional elite, along
                           with none other than U.S. President Millard Filmore, who stated, “There is no way I would miss this great sporting event.” 
                           A match race in those days was a grueling test of speed and endurance in four-mile heats, with the winner being the horse
                           with the best time in the three runnings. On this day, the track was muddy, and Lexington’s victory was considered by
                           many a freak.  A rematch was demanded. This time Lecomte was not only the winner but won in record time. Again there
                           were calls for a rematch. On April 14, 1855, Tom Wells, owner of Lecomte, challenged Lexington in a head-to-head “rubber”
                           match, with the winner being awarded $20,000.  This time there was no question; Lexington was declared the winner, with
                           a time of 7:23 3/4. When it was all over, it was heard in the crowd, “Besides the $20,000 purse, there were surely some
                           plantations that changed hands today.”  The race of April 14, 1855, was the last for both horses. They both gave
                           great enjoyment to many when they competed. Even though it is more than 140 years since their last race, they are both still
                           remembered. Lexington’s skeleton can be seen today properly mounted in the Smithsonian Institute, Washington, D.C. Lecomte
                           is remembered through a town located south of Alexandria that was named in his honor, even though the name was misspelled
                           – LECOMPTE.  Source: Buddy Stall at http://clarionherald.org/19990805/stall.htm
                        Groundbreaking for the renovated American Can Company was held on April, 1, 2000. 
                           The grand opening occurred on November 15, 2001. The American Can Renewal Project was the conversion of the historic American
                           National Can Company’s abandoned and blighted factory complex into a $43.5 million mixed-use project consisting of commercial/retail
                           space and parking on-site for approximately 361 cars.  Of the 270 units, 214 werer intended to rent at market rate, and the
                           remaining 56 units dedicated to moderate income residents.  The project was to be a certified historic rehabilitation requiring
                           adherence to the strict guidelines of the National Park Service   and      the      United      StatesDepartment of the Interior. 
                           For the project, the  City  of  New  Orleans  received  $5,100,000.00  in  Section  “108"   Loan  Guarantee and
                           a $1,000,000.00 Brownfield Economic Development  Initiative (BEDI) loan in gap financing.
                        
                        Accrding to some sources, on 
April 1, 1778, Oliver Pollock created
                           the $ sign.