Art in New Orleans

Caroline Wogan Durieux
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INTRODUCTION TO THE SYDNEY AND WALDA BESTHOFF SCULPTURE GARDEN
2002 -- Tree of Necklaces, Jean-Michel Othoniel
--- The 1970's ---
1970's -- Robert Indiana, LOVE, Red Blue
1979 -- Three Figures and Four Benches, George Segal
1975 -- Reclining Mother and Child, Henry Moore
1973 -- Four Lines Oblique, George Rickey
1971 -- Una Battaglia, Arnaldo Pomodoro
1979-80 -- Two Sitting Figures, Lynn Chadwick
--- The 1960's ---
1967 -- The Labors of Alexander, René Magritte
1965 -- River Form, Barbara Hepworth
--- The 1990's ---
1999 -- Claes Oldenburg, Safety Pin
1999 -- Restrained (Horse), Deborah Butterfield
1995 -- Spider, Louise Bourgeois
1991 -- Joel Shapiro, Untitled
--- The 1980's ---
1989 -- Rebus 3D-89-3, Ida Kohlmeyer
1987 -- Standing Man With Outstretched Arms, Stephen De Staebler
1983 -- Pablo Casals Obelisk, Arman
1949-57 -- Sacrifice III, Jacques Lipchitz
Ossip Zadkine, La Poetesse
Week 8 -- Hyams Fountain, 1921
Quick Review -- Weeks 1 -- 7
Week 9
--- SECOND SEMESTER ---
Week 10 -- McFadden House -- 1920
Week 11 -- Reggie Bush Stadium
Week 11 -- Enrique Alferez -- City Park
Week 11 -- Enrique Alferez -- Fountain of the Winds
Week 12 -- Enrique Alferez -- Shushan Airport
Week 12 -- Enrique Alferez - marble chip and granite cast -- Molly Marine
Week 12 -- Story Land
Week 12 -- Blaine Kern -- Papier-mâché -- Mardi Gras Floats
Week 13 -- Hines Carousel -- Carved Wood
Week 13 -- New Orleans Museum of Art
Week 14 -- WPA in New Orleans
Week 15 -- Ida Kohlmeyer
Week 16 -- Review
Week 17 -- More Enrique Alfarez
Clark Mills -- Bronze Sculpture -- Andrew Jackson
Emmanuel Fremiet -- Joan of Arc
1897 - John McDonogh
Alexander Doyle - Margaret Haughery
Alexander Doyle -- Robert E. Lee
P.G.T. Beauregard
1860 - Henry Clay
Vietnam Veterans Monument
Louis Armstrong
Korean War Memorial
1910 - Jefferson Davis
1872 - Benjamin Franklin
Bienville
1957 - Simon Boliva
World War II
World War I
Lin Emery
Woldenberg Park
Clarence John Laughlin
John Churchill Chase -- The Rummel Raider
André Breton -- Surrealist
Chalmette Monument
Liberty Monument
Arthur Q. Davis -- The Super Dome
1909 -- Antoine Bourdelle, Hercules the Archer
Wrought ironwork
Sweetheart
Cemeteries
Caroline Wogan Durieux
Daniel French -- Copper & Bronze -- The Ladies
Edgar Degas
Audubon Park
balconies
COMPARATIVE TIMELINE
--- VOCABULARY ---
Abstract Expressionism
Abstraction
Academic
Art Nouveau (1880's -- 1920's)
Arts and Crafts Movement (1910 -- 1925)
Art Deco (1910 until 1939)
Baroque period
Beaux-Arts
biomorphic
Bronze
Classicism
Casting
Constructivism
Contemporary Art
Cubism
dynamism
expressionism
Futurism
Figurative Style
German Expressionism
Impressionist
Kinetic Sculpture
Minimalism
Mobile (sculpture)
Modern Art
Murano glass
Negative space
Neoclassical
New Deal
Nouveau Realism
Obelisk
Pop Art
Surrealist:
WPA [Works Progress Administration]
Curruiculm Objectives/Suggested Activities
Bibliography and Suggested Reading
Church Statues
Smithsonian Art Inventories Catalog (New Orleans)

CAROLINE DURIEUX

Caroline Wogan Durieux was born into a large Creole family in New Orleans just before the turn of the 20th Century. In 1913, Caroline enrolled at Newcomb College in New Orleans and studied with Ellsworth Woodward. Upon completion of her studies at Newcomb, she obtained a scholarship to the Philadelphia Academy of Fine Arts in 1917. Caroline had acquired a great deal of training at both schools, but she did not meet success until after she moved to Mexico City in 1926 with her new husband, New Orleans exporter, Pierre Durieux.

In Mexico, Caroline met and worked with the Mexican Muralists, gaining their respect as an accomplished an unique artist. In 1931, she was urged by an art dealer to make lithographs of some of her satirical drawings. Initially she was doubtful, but by 1935, Caroline's satirical lithographs were being exhibited all around the city and drawing much attention, especially by Diego Rivera, who painted a portrait of Caroline in 1929 (on display at LSU's Tower Museum).

The Durieux's returned to Louisiana the next year where she found plenty of inspiration for her satire, ranging from Mardi Gras and Bourbon Street to the New Orleans aristocracy and clergy. Many of her best lithographs were published in Richard Cox's 1977 book, Caroline Durieux: Lithographs of the Thirties and Forties, which has recently sold at auction for up to $300.

From 1938 to 1943, Caroline served as director for the Federal Art Project for Louisiana and then became a professor of art at LSU, retiring in 1964. At LSU, she developed the electron print (utilizing radioactive ink) with the Department of Nuclear Science in the 1950's and continued to produce beautiful, more abstract lithographs. The Women's Caucus for Art recognized her with national honors in the 1980's, and her work continues to be sought after by collectors of Louisiana art

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CAROLIN DURIEUX

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Much information on this site courtesy of the New Orleans Museum of Art.